Street Level

( via remix theory )

Image source: Youtube

I recently received the following link to a Youtube video about the exhibition “Street Level” taking place at the Nasher Museum of Art:


As great and as challenging the works in this exhibition may be, they do not fall in emerging Remix practice, but rather belong in appropriation art practice following the conceptual art movement from the nineteen seventies. One thing which should be pointed out is that not everything that makes references to pre-existing material is Remix. Appropriating something does not mean one automatically is remixing. Remix relies on sampling–that is an actual part–an actual section of the “thing” must be part of the “remix,” and the projects in “Street Level” are precise allegorical references to the street, or some other source that is connected to the street. Even after making this clarification I urge you to look at the Youtube video, please do take the time to view it.

Below is the brief statement sent by David Colagiovanni (thank you for the forward!):

It’s the work of 3 artists- Mark Bradford, William Cordova, & Robin Rhode for who the streets of their respective cities act as fluid, living sources of inspiration. Found objects, urban vernacular and performative gestures help build a foundation for their art, including painting, works on paper, sculpture, photography, video, installation and other mixed media. Their work explores the ways that cultural territory is defined and space is transformed in urban environments.


Filed under: architecture, art, mobility, space/place, urban

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